What piece is a hugely popular example of the importation of the Cuban "contradanza" into European art music?

The choice of "Habanera" from Bizet's opera, Carmen is correct because it is a quintessential example of the integration of the Cuban "contradanza" into European art music. The "Habanera" is characterized by its syncopated rhythm and distinctive melodic structure, which are hallmarks of the contradanza, a popular Cuban dance form that gained prominence in the 19th century. Bizet incorporated these elements into the aria to enhance the exotic atmosphere and cultural richness of the opera.

This not only showcases how the contradanza influenced Western music but also demonstrates cross-cultural exchange during a time when composers were exploring new sounds beyond traditional European frameworks. The "Habanera" has since become one of the most famous arias in opera, widely recognized for its rhythmic complexity and emotive power, reflecting a successful fusion of styles.

In contrast, while other options may include notable pieces, they do not specifically exemplify the Cuban contradanza's influence in the same way that "Habanera" does. For instance, Beethoven's Ninth Symphony and Copland's "Fanfare for the Common Man" do not feature the characteristics inherent to the contradanza, and the overture to Don Giovanni, although significant, does